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No. 111
Annabel Lee
Edgar Allan Poe, 1849
It was many and many a year ago,
   In a kingdom by the sea,
That a maiden there lived whom you may know
   By the name of Annabel Lee;
And this maiden she lived with no other thought
   Than to love and be loved by me.

I was a child and she was a child,
   In this kingdom by the sea:
But we loved with a love that was more than love—
   I and my Annabel Lee;
With a love that the winged seraphs of heaven
   Coveted her and me.

And this was the reason that, long ago,
   In this kingdom by the sea,
A wind blew out of a cloud, chilling
   My beautiful Annabel Lee;
So that her highborn kinsmen came
   And bore her away from me,
To shut her up in a sepulchre
   In this kingdom by the sea.

The angels, not half so happy in heaven,
   Went envying her and me—
Yes!—that was the reason (as all men know,
   In this kingdom by the sea)
That the wind came out of the cloud one night,
   Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
   Of those who were older than we—
   Of many far wiser than we—
And neither the angels in heaven above,
   Nor the demons down under the sea,
Can ever dissever my soul from the soul
   Of the beautiful Annabel Lee:

For the moon never beams, without bringing me dreams
   Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
   Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling—my darling—my life and my bride,
   In her sepulchre there by the sea,
   In her tomb by the sounding sea.
— Edgar Allan Poe, 1849

About the Poem

Poe crafts a ballad steeped in gothic romance. The speaker insists that his childhood love transcended ordinary attachment—so potent that even angels envied it. The sing-song refrains and seaside setting lend the poem the timeless cadence of a fairy tale while shading it with loss.

When Annabel Lee dies, the narrator assigns blame to supernatural jealousy, not to natural causes. This defiance keeps grief active; the speaker won’t accept separation. Instead, he converts mourning into ritual, lying beside her tomb and claiming a bond death cannot sever.

The poem leaves us listening to the surf, suspended between devotion and obsession. Poe invites readers to feel the magnetic pull of love that refuses to acknowledge mortality, raising the question of whether such fidelity heals or haunts.

Interpretation generated with assistance from Claude.